Thursday, 28 August 2014
12VA Theory Textbook
image from: http://www.talkandroid.com/guides/best-android-apps-for-reading-books-and-syncing-between-devices-november-2013/
Link to Theory 12VA 2014 Interactive textbook
Link to Mrs Moore's post with the list of artists
Wednesday, 20 August 2014
12VA: Penny Siopis & Gender Issues
Fig 5. Penny Siopis, Dora and the Other Woman (1988), pastel on paper, private collection.
image from: http://www.interpretingceramics.com/issue008/articles/19.htm
Link to PPT on Siopis
Other Interesting Links:
Link to PPT on Historical Depiction of Women
Link to PPT with examples of South African Artists who deal with Gender issues
Link to 11VA PPT on Gender issues
Labels:
2014 grade 12,
2014 grade 12 theory,
Gender Issues,
Siopis
Sunday, 17 August 2014
11VA Lo1 Self-evaluation
Image from: http://photo.elsoar.com/looking-in-the-mirror.html
Dear Grade 11s, Please evaluate your sourcebook here.
Link to 11VA Gender issues evaluation
Saturday, 16 August 2014
11VA & 12VA : Understanding the importance of LO1
Dear Grade 12's
There was a big discrepancy between your sourcebook evaluations and my marks. Therefore I think we need to discuss what a ten out of ten looks like.
One recurring problem is that most of you are doing drawing studies as experiments. This is problematic as it does not allow you to explore composing a composition/ creating a miniature of your final idea.
Image from: http://www.artfoodandpassion.com/2011/03/animal-drawing-studies-predators/
image from: http://joe-heasman.blogspot.com/2010/03/life-drawing-studies.html
The examples above are drawing studies. They are limited conceptually, because the images do not have sufficient visual clues to create meaning. This means that they do not fulfill the rubric requirements for LO2. They work as preparation for compositional sketches, but they cannot be the only type of experiments in your sourcebook.
The sourcebook is preparation for the final product, so there should be lots of reference images in your books that demonstrate how your imagery choice relates to your concept. e.g how would you positioned the figure in a landscape to tell the story of a journey?
There should also be COMPOSITIONAL sketches. A good composition should make use of compositional rules such as the Rule of Thirds and at least 3 elements and principles of art.
Below is a diagram Mrs Moore drew showing the compositional devices Delacroix has used:
Also you cannot assess your sourcebook on content that is not there. I cannot mark drawings as process drawings and as experiments. Please look at the mark allocation. 15 marks is at least 3 x A3 pages unless your content is super detailed and intricate, then you can get away with doing less because you will still have the same number of hours.
Sourcebook Rubric
Please note these sourcebooks are crucial to your final exam preparation. Please fix up problematic areas and make sure you understand the process work. It is half of your marks!!!
There was a big discrepancy between your sourcebook evaluations and my marks. Therefore I think we need to discuss what a ten out of ten looks like.
One recurring problem is that most of you are doing drawing studies as experiments. This is problematic as it does not allow you to explore composing a composition/ creating a miniature of your final idea.
Image from: http://www.artfoodandpassion.com/2011/03/animal-drawing-studies-predators/
image from: http://joe-heasman.blogspot.com/2010/03/life-drawing-studies.html
The examples above are drawing studies. They are limited conceptually, because the images do not have sufficient visual clues to create meaning. This means that they do not fulfill the rubric requirements for LO2. They work as preparation for compositional sketches, but they cannot be the only type of experiments in your sourcebook.
The sourcebook is preparation for the final product, so there should be lots of reference images in your books that demonstrate how your imagery choice relates to your concept. e.g how would you positioned the figure in a landscape to tell the story of a journey?
There should also be COMPOSITIONAL sketches. A good composition should make use of compositional rules such as the Rule of Thirds and at least 3 elements and principles of art.
Delacroix Massacre of Chios 1824
(French Romanticism)
- Oil painting on canvas
The Ottoman Turks (Muslims) slaughtered the Greek Orthodox inhabitants of the Mediterranean island of Chios.
Can you see how a compositional diagram combined with conceptual imagery allows me to assess whether your idea is ready for a final product???
The second are that your sourcebook covers is technical skills. Research, investigation and experimentation, allows you demonstrate your ability to handle your chosen medium. Therefore your experiments should be skillful and they research on other artists should have a practical application to your own work.
To check whether your final idea is a hundred percent you need to evaluate it according to the rubric for LO2.
SECTION B: THE ARTWORK (LO2)
CRITERIA
- Choice and use of materials/techniques 10 (do your experiments demonstrate your ability to paint/ draw/ sculpt etc.?)
- Use of formal art elements 10 ( there should be a clear composition when you begin and at least three planned elements and principles, however the relationship between your chosen elements and principles will develop as you work)
- Overall impression of work – originality, creativity, innovation 10 (Is your sourcebook idea innovative?)
- Interpretation and practical implementation of research 10 (this is on-going while you work on LO2 but there should be link between your sourcebook and the final product, you can't suddenly change ideas)
- Completion and presentation of artwork 10 (this comes together at the end of LO2 but Lo1 should show how you intend to hang/ display your work)
- TOTAL 50
Sourcebook Rubric
Category
|
Possible content
|
Marks
|
Possible no. of pages
|
Concept development
|
mindmap, final intention (this includes a compositional sketch and artists statement, originality and innovation of idea
|
10
|
2 x A3s
|
Research, investigation, experimentation, et cetera
|
inspiration artists, experiments, tutorials, reference images - photographs, internet images, collages
|
15
|
3 xA3s
|
Process drawings
|
thumbnails, illustrations, skilful drawings (tonal range, linear drawings, illusions of form and space)
|
15
|
2-3 x A3s (depending on drawing style)
|
Presentation and overall view
|
time management, binding, aesthetics
|
10
| |
Total
|
50
|
Please note these sourcebooks are crucial to your final exam preparation. Please fix up problematic areas and make sure you understand the process work. It is half of your marks!!!
Thursday, 14 August 2014
Gr9VA Figure Experiments
Wirework & Paper:
Shayne Laing in 9B made the top figure and she inspired 9T to make their own quick experiments. The bottom figure on the first image was made by Kelsey Taylor.
Stitching plastic shapes to create forms:
Stitching Techniques:
Samke Ngema in Grade 9 used to make clothes for her dolls so she stitched this beautiful dress for her figure. She learnt chain stitch in the last lesson so she is currently prettifying her visible stitches.
Shayne Laing in 9B made the top figure and she inspired 9T to make their own quick experiments. The bottom figure on the first image was made by Kelsey Taylor.
And this figure was made by Tarryn Govender
Stitching plastic shapes to create forms:
Tia Joseph's figure has a triangular head so she experimented with cutting out plastic shapes and drilling holes. She is now stitching the shapes together with string.
Here is an image showing how her flat triangles have become three-dimensional forms...
Stitching Techniques:
Samke Ngema in Grade 9 used to make clothes for her dolls so she stitched this beautiful dress for her figure. She learnt chain stitch in the last lesson so she is currently prettifying her visible stitches.
Labels:
2014 grade 9,
sculpture,
stitching,
wire,
wire figures
Wednesday, 13 August 2014
Creating Digital Sourcebooks: 8VA
Dear Grade 8s,
Some of you asked about creating online sourcebooks or working on your computer. You may work digitally but then you need to upload your sourcebook onto the Google cloud so that your teacher can access it from her computer.
Indian Drive by Shena Macdonald
Google Drive is a wonderful place to store and generate online content.
Link to PPT tutorial on signing in to Google Drive
You can add your work to the cloud by uploading existing content from your computer onto Google Drive.
You can also generate content online by creating new documents in Google Drive.
The next step is sharing Google Drive content with your teacher.
Some of you asked about creating online sourcebooks or working on your computer. You may work digitally but then you need to upload your sourcebook onto the Google cloud so that your teacher can access it from her computer.
Indian Drive by Shena Macdonald
Google Drive is a wonderful place to store and generate online content.
Link to PPT tutorial on signing in to Google Drive
You can add your work to the cloud by uploading existing content from your computer onto Google Drive.
Remember that the file size needs to be small so that content loads faster online. One way to reduce file size is to compress images or break a large powerpoint into smaller sections.
The next step is sharing Google Drive content with your teacher.
Tuesday, 12 August 2014
12VA Self-Evaluation: T3 Sourcebook
Link to 12VA T3 LO1 Evaluation form
Please make a copy of this document and complete an analysis of your exhibition readiness.
Link to exhibition Table
Monday, 11 August 2014
8VA: Jewellery Sourcebook
Dear Grade 8s,
You are about to create your first Art Sourcebook. This is a journal of ideas and 'recipes'on how to make various art objects.
Link to a perfect sourcebook example
Your Sourcebook pages may not be smaller than A5 and it cannot be bigger than A4.
Link to a perfect sourcebook example
Your Sourcebook pages may not be smaller than A5 and it cannot be bigger than A4.
Page 1: Title page with your name, surname and register class
Page 2: Inspiration page with drawings from class PPT (we will keep adding to this as we go)
Page 3: Paper Beads Tutorial
Page 4: Wire Work Tutorial
Mrs Sturgess's classes pages 1, 3 & 4 are due in your lesson next week (18-22 Aug).
Here is a link to an example of someone's recipe for creating paper beads: http://www.papervinenz.com/2012/07/paper-bead-tutorial-summer-fun.html
Your sourcebook page may not be as in depth as the above example but each Technical page should include:
- Diagrams/ photos of the process/ and /or drawings of or samples of the materials used
- samples of the final product (please don't glue these in, rather place them in a pocket on your page or stitch them onto your paper.)
- Instructions on how to complete the technique
Materials Used so far:
- Paper beads: glue pot, straws, magazine pages, woodglue, sponges, plastic sheets to protect tables
- Wire work: Pliers, wire Link to Names of the pliers
Link to Post on Wirework
DIGITAL SOURCEBOOKS for those of you WITH A GMAIL (GOOGLE) ACCOUNT
To create a digital sourcebook work on Google Drive- I will keep posting more on this:
Link to Post on working on Google Drive
DIGITAL SOURCEBOOKS for those of you WITH A GMAIL (GOOGLE) ACCOUNT
To create a digital sourcebook work on Google Drive- I will keep posting more on this:
Link to Post on working on Google Drive
Sourcebook Rubric: 11 & 12
Link to Google Doc of Rubric
Category
|
Possible content
|
Marks
|
Possible no. of pages
|
Concept development
|
mindmap, intention, originality and innovation of idea
|
10
|
2 x A3s
|
Research, investigation, experimentation, et cetera
|
inspiration artists, experiments, tutorials, photographs, internet images
|
15
|
3 xA3s
|
Process drawings
|
thumbnails, illustrations, skilful drawings (tonal range, linear drawings, illusions of form and space)
|
15
|
2-3 x A3s (depending on drawing style)
|
Presentation and overall view
|
time management, binding, aesthetics
|
10
| |
Total
|
50
|
Labels:
2014 grade 11,
2014 grade 12,
rubrics,
self-evaluation,
Sourcebooks
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