Tuesday, 27 August 2013

Grade 9: Printmaking Terminology





Embossing images

An embossing to decorate with or as if a raised design.  To create an embossing place a piece of damp card over your texture/ collagraph and apply pressure by rolling through the printing press.

An intaglio process in printmaking, using etching or scratching into perspex. This is then inked and excess ink is rubbed away with a damp cloth. The printed image is from the ink that remains in the valleys of the scratched image.  The Grade 9's did this using laminated cardboard instead of perspex/ metal.


Lino printing is when you carve into vinyl or lino and the ink prints of the high places. Collagraphs are created by pasting textures on to a piece of card and inking up and printing from the raised textural areas.  Lino printing and collagraphs are examples of relief printing.

When you ink up and print from your collagraph, your first print may be too dark.  To fix this start a series of ghost prints. This means that you will reprint the collagraph on a new piece of card without a new layer of ink.
Collagraph example

 top left: 1st print, bottom left: 1st ghost print

  




Grade 10 gallery Visit

Last week we visited the gallery and had a look at the exhibition:  Homosapiens


Below is the information from Mrs Moore's blog

Choose ONE sculpture and ONE painting that you enjoyed,
 and create an infographic on each.



Include:-


  • Information about the work (Title, Artist's name, meduim, size, date)
  • Interpretation of the work
  • Discussion of the materials and technique involved



Evolution
Artist: Elizabeth Balcomb
Medium: Paper clay
Size: 17cm x 17cm x 50cm




PT Barnum, Charles Stratten and Lavinia Warren hosting small miracles
Artist: Sandra Hanekom
Price: R17,250.00
Medium: Oil on acid-free paint board
Size: 565mm x 820mm (framed




Pomegranate, Bottle, and Skull

Artist: Peter Rippon
Year: 2011
Price:  Not For Sale
Medium: Oil on linen canvas
Size: 224 x 370 mm (390 x 535 mm framed)
Perseus
Colour pencil, watercolour, metal leaf and stitching on 300gsm Fabriano Artistico paper
75 x 55cm
2013
R12 800-00
Good link for Christiaan Diedericks  - found by Ayanda
http://www.velvetabsakknk.co.za/artist-christiaan-diedericks.php

Paper clay notes
In addition to making my sculptures lighter, I now have more freedom in my creation process. No longer do I have to worry about the condition of the clay at what ever stage. I like the fact that wet paperclay can be joined to bone dry pieces, even dry to dry joints are not an issue. If a dry piece should break off, it’s a simple matter of sticking it back on with some paperclay slip. Even cracked, bisqued pieces can be repaired and re-fired.

The resulting bisqued piece behaves just like any other clay body so there is no difference in the glazing process.

I’ve used paperclay in high fire, low fire, raku, pit fire and the Kazegama firing without any problems."" http://www.anthonyfoo.com/Paperclay.htm

http://www.grahamhay.com.au/paperclayartists.html
http://www.jerrybennett.net/paperclay.html

Grade 10 Colour Sourcebook


http://mongoose1.wordpress.com/category/duane-keiser/

"It's now time to put your sourcebook together:
[Collection of A3 posters]

  • Cover page
  • Experiments with collage cloud (+ notes)
  • Experiments with watercolours (+ notes)
  • Experiments with Hue; Intensity; Value (+ theory)
  • Experiments with EGGs (+ notes)
  • Investigations of other interesting art work (+ notes)
  • Experiments with acrylics and oils (+ notes)
  • Any drawings for your egg painting
  • Gallery visit - oil painting
  • Final egg painting" Link to the rest of Mrs Moore's Colour Sourcebook post

Tuesday, 13 August 2013

Grade 8 & 10: Functions of Jellewery Powerpoint link



bluebird brooch from Mixed Media Jewellery book

Link to crochet chicken tutorial

Grade 8: Functions of Jewellery PPT

Grade 10: Functions PPT Link

Grade 10: Fabric Examples PPT

Grade 10: Plastic Examples PPT


Grade 9: Artist Alert: Diane Victor



Diane Victor: Weighing and Wanting


"Is it too much to ask that women be spared the daily struggle for superhuman beauty in order to offer it to the caresses of a sub-humanly ugly mate?" - Germaine Greer, Academician... read more on Diane Victor by clicking on the link below:

http://afhsouthafrica.blogspot.com/2011/08/weighing-and-wantingthe-private.html
link to Art for humanity site

See if you can analyse this print based on the following questions:

1. What type of beauty does this piece discuss? (refer to visual clues to support your answer)  [2]

2. How does the women feel? (refer to visual clues to support your answer) [3]

3. Who is putting pressure on (i.e controlling) the women to conform to this type of beauty? (refer to visual clues to support your answer) [2]

4. How do the dark tones in the background of the image make you feel? [1]

5. What products does the women use to make herself feel beautiful?(refer to visual clues to support your answer)  [2]

6. Research and discuss Diane Victor's etching technique. [2]

7. Try an etching using cardboard click on the link below for tips: http://aquarel.blogspot.com/2007/11/dry-point-prints-and-special-dry-point.html [3]
Total : 18 marks
[12 marks for 1-6 + 3 marks for sentence structure &grammar + 3 marks for practical experiment=18]


http://thevirtualinstructor.com/etching.html -etching explanation & video clip


Gabisile Nkosi: Sisterhood


Monday, 12 August 2013

Pinterest & Blog Inspiration



Dear Grade 8 & 10's
Pinterest is a create way to share images and inspirations.

You can start your own board or have a look at mine to see some ideas that fit our Jewellery theme..

http://pinterest.com/shelans/jewellery-recycling/


http://sweatersurgery.blogspot.com/2012/05/how-to-make-leather-and-recycled.html