Showing posts with label Grade 11. Show all posts
Showing posts with label Grade 11. Show all posts

Thursday, 2 January 2014

2014 Grade 11 & 12 Set Project on Personal Geographies



This is a set artwork for Personal Geographies based on Mrs Moore's Perceptions of Power Project.


Overview:
Our perceptions are lenses through which we view the world. i.e. they are PERSONAL.
Hence, 'Personal Geographies' - the project title.


We will be looking at the idea of people (human figures) .....
...... existing in a landscape

...... in relationships based on our perceptions of POWER




Geography:  The study of the earth and its features and of the distribution of life on the earth, including human life and the effects of human activity."


The American Heritage® Dictionary of the English Language, Fourth Edition copyright ©2000 by Houghton Mifflin Company. Updated in 2009. Published by Houghton Mifflin Company. All rights reserved.


“We must look at the lens through which we see the world, as well as the world we see, and understand that the lens itself shapes how we interpret the world.”

Step one: Concept Development Part 1


What does the 'geography' of your school look like? Sketch some ideas for the following mind-map......

Now create an illustrated mind-map discussing the above statements and your journey in the school environment. Your final artwork will be an A1 pastel or A2 pen and ink drawing. If you would like to try other media, then speak to your teacher up front.
Your teacher will show you how to make this mind-map in 45 minutes + homework!

Step 2:  Photographic Research and investigation and Thumbnails drawings
We will be photographing our school to get inspiration for the landscape - 'schoolscape'.


  1. Begin by studying the  AYV shot composition link
  2. Work out your 'photoshoot' before you go out! (your rough composition sketches will count as your thumbnails) Link to Storyboard Template
  3. Photograph at least 5 of our schoolscapes bearing the tips from the link above in mind.


Our 'schoolscape
'





Step 3: Discussing step 2 and editing photos


  • Download/ upload your photos to 3 or 4 places: Art General/my documents and Google Drive and Picasa Web ALbums. 
  • Step A: When uploading your photos they should be set at a 150 Resolution or the file size is too big. This means that you should probably set your batch resize setting on no larger than 600 pixels for width and length. link to a tutorial Mrs Moore found on batch resizing photos  
  • Step B: Just a heads up sometimes photoshop will not open Art General folders so you my need to save photos in my documents. This means that you can only access them on one computer in the art room. See your teacher if you are stuck.
  • Step C: Upload the resized images to your Google Drive
  • Step D: Upload resized images to Picasa Web Albums or Google plus Link to Picasa Web Albums
  • You may need to use Photoshop (on the desktop PCs) or Pixlr Editor (for online netbook work), to edit your photos and improve the composition. To edit on Pixlr Editor you need to create a web album on Picasa or Google plus. You then open your images from Library in Pixlr editor.
  • For convenience link pixlr to your google account. link to Pixlr
  • REFLECTION: Write about how you have applied the AYV compositional tips to your images.
  • Remember to use screenshots to record each editing process. (to create a screenshot press the “Print screen button” (PrntScr) and then click on paste in a powerpoint on Google drive or Microsoft Office. You can also use screen grabs or snag it. see your teacher for accessing this function on your smart phone (iphones, ipads and samsungs use a combination of the home and lock button to create a screen shot).
  • Sometimes Google docs do not paste screen shots quickly, so it is easier to download an app called Snagit (click here for Link to Techsmith Snagit) . This app automatically uploads your screen shots to a folder in your google drive. Just check that both the extension and App is linked to your google drive and that you have downloaded chrome as your browser. link to Chrome extension for Techsmith Snagit

Step 3: Research Illusions of Space




Step 4: Process Drawings and experimentation




Step 5: Creating Figures for your drawing


  • Use the tracing paper provided to create small figures (or one figure?) that fit into your schoolscape. The idea is to focus on  perceived ideas of some people being in power, and others not. You may use exaggerations and distortions to create these situations. They don't have to match the scale of the 'schoolscape'. e.g huge head looming over the top of the stairs?
  • Make use of your pencil & eraser to make these figures, and use the 'mannikin' method that you will be shown.
  • Tutorial ..... Mannikin tutorial


Below is link on various poses for people.








Frolic 1 Amy Jo Windt



  

Shaft, 1987 by Sam Nhlengethwa  image from : http://paxlupo.com/2010/12/23/reeducation-unreconstructed/
Helen Sebidi
Mother Africa 1988
Pastel and collage on paper
162 x 128 cm

Wangechi Mutu





Step 6: Digital Collage Experiment and Adding Figures to your drawing
  • Scan your drawings of figures and ladscapes at 150ppi, and save it in your Art General Folder as a .jpg or upload it to Google Drive.
  • Put your figures into your schoolscape to express your intention. You can use EITHER a physical collage method or a digital 'cut & paste' method.
Step 7: Reflect on experiments
  • Use small chunks of paper(i.e. Post its) to reflect on the various artworks you have produced and processes you have undertaken.
  • Assemble your notes and samples onto A3 pieces of card or scan in your work and create a digital sourcebook.


Step 8: Concept development Part 2: FInal Intention
Create an image of your final composition that you will be using for LO2.  Write about why you have chosen this particular arrangement and environment. Look at the requirements for LO2 and make sure that your idea allows you to score well on this rubric.
Add this to your sourcebook by creating an A3 poster or digital link.


Step 9: Presentation and Self- Evaluation
Add your headings and content page to your sourcebook and bind it into book format.  
Click on the following link to assess your sourcebook. Make sure you have covered all aspects of the project.


SUMMARY - your goals for your sourcebook
You are looking at AT LEAST 6 x A3 pages or the equivalent.
You MUST work in class; at home; in Open Studio - before the deadline.



  1. Illustrated mindmap
  2. Rough storyboard and annotated photos of the school, with screenshots of photographic editing processes
  3. Annotated drawing showing use of space (A4 or A3)
  4. Tracing paper/collage/drawn figures and spatial experiments with collage
  5. Final 'mini' composition for LO2 - your intention
  6. Presentation and evaluation before hand in
Step 10:  Hand your completed sourcebook in to your teacher or email/ share the link to your digital sourcebook. Make sure your teacher has received your work.


You may now begin collecting the materials for LO2. Make sure you take into consideration any feedback or comments your teacher has made on LO1.  




Thursday, 7 November 2013

Illusions of space: Infographic Report Back

Presentation notes:
- when creating an infographic the title is the topic not the word infographic (e.g ILLUSIONS OF SPACE)
- also it is an interactive learning tool, so it is good idea to use arrows and diagrams to interact with the contents of the image as well provide links between the text and image

Illusions of Space Definition Notes:
Some learners were confused about linear perspective and just wrote that there are three types of linear perspective (1 point, 2 point and 3 point), and lines to show depth.  However you must explain that linear perspective creates an illusion of space by showing the angle at which lines recede into the distance. It is based on the fact that parallel lines converge (join) at a vanishing point on the horizon.

 or one could say that

Linear perspective is used by the artist in which the relative size, shape and position of the objects are determined by drawn lines converging at a point on the horizon.

Link to informative presentation on illusions of space


    

Also scale/ size is to do with the fact that objects that are closer to the viewer are larger and objects that are further away are smaller.  It is not just based on a comparison of objects for example the squares create an illusion of space as they become smaller as they recede into the background, but the image comparing the scale of a human to various animals does not show an illusion of space as all the animals are on the same plane ( i.e their is the same distance between the smallest animal and the viewer and the largest animal and the viewer).

Application Notes:
 Please note that you must apply knowledge when creating an infographic and cut and paste type information hinders learning. Therefore you had to discuss visual clues (elements and principles of art such as scale, value, colour... and imagery) in your illustrations.

Honda ad based on illusions of space


Monday, 14 October 2013

Perspex Suppliers

Maizey's in Springfield  supplies perspex, vinyl and other wonderful plastics.
http://www.maizey.co.za/
Drypoint techniques allow you etch on perspex using a stylus and old gramophone needle or you can work on laminated cardboard (click here for cardboard etching tutorial).

link to inspiring printmaking artists

Link to Printmaking terminology Posts

Mixed Media Artists


Below are Some Links to Various Mixed Media artworks for those of you who enjoy this technique.



For mixed media animation examples click on the links below.  The programs you may use are Adobe Premiere Elements or Windows Live Movie Maker.


Link to Tessa Comrie's magic lantern animation


Link to previous Stop Animation Posts

Link to Mrs Moore's Inside Out animation & Adobe Premiere Post


Elizabeth Sparg see more at the link below:
http://fromtheartstudio.com/portfolio_page/in-the-wild/

And even some inspiration from our matric class, I love how Anna Talbot has cut jagged lines around the boy's form. Her piece really captures a moment in time.




Natalie Wessels

Tharunisa Reddy
Upasana Patel
Link to Mrs Moore's post on the 2013 Matric exhibition


Esdar Maren

See Mrs Moore's post on Esdar-Maren




Sam Nhlengethwa

Read Sam Nhlengethwa's artists bio by clicking on the link below:
http://www.artthrob.co.za/03oct/artbio.html

shaft
Shaft, 1987 by Sam Nhlengethwa  image from : http://paxlupo.com/2010/12/23/reeducation-unreconstructed/


Frolic 1
image from: http://www.kznsagallery.co.za/exhibitionimages/showtime_new_works_by_amy_jo_windt.htm

Link to Mrs Moore's post about Christiaan Diederick's Perseus

Christiaan Diedericks 2013
Colour pencil, watercolour, metal leaf and stitching on 300gsm Fabriano Artistico paper 
75 x 55cm