Monday, 13 January 2014

Grade 9 2014

Welcome to Studio 2-41.





This term we will be discussing perceptions of beauty within various cultures and how this influences artists...click on the links below to view the powerpoints we have been working on during class.


link to powerpoint on how we perceive beauty

Link to Historical Beauty Practical collage project

Link to Mrs Moore's blog

Thursday, 2 January 2014

2014 Grade 11 & 12 Set Project on Personal Geographies



This is a set artwork for Personal Geographies based on Mrs Moore's Perceptions of Power Project.


Overview:
Our perceptions are lenses through which we view the world. i.e. they are PERSONAL.
Hence, 'Personal Geographies' - the project title.


We will be looking at the idea of people (human figures) .....
...... existing in a landscape

...... in relationships based on our perceptions of POWER




Geography:  The study of the earth and its features and of the distribution of life on the earth, including human life and the effects of human activity."


The American Heritage® Dictionary of the English Language, Fourth Edition copyright ©2000 by Houghton Mifflin Company. Updated in 2009. Published by Houghton Mifflin Company. All rights reserved.


“We must look at the lens through which we see the world, as well as the world we see, and understand that the lens itself shapes how we interpret the world.”

Step one: Concept Development Part 1


What does the 'geography' of your school look like? Sketch some ideas for the following mind-map......

Now create an illustrated mind-map discussing the above statements and your journey in the school environment. Your final artwork will be an A1 pastel or A2 pen and ink drawing. If you would like to try other media, then speak to your teacher up front.
Your teacher will show you how to make this mind-map in 45 minutes + homework!

Step 2:  Photographic Research and investigation and Thumbnails drawings
We will be photographing our school to get inspiration for the landscape - 'schoolscape'.


  1. Begin by studying the  AYV shot composition link
  2. Work out your 'photoshoot' before you go out! (your rough composition sketches will count as your thumbnails) Link to Storyboard Template
  3. Photograph at least 5 of our schoolscapes bearing the tips from the link above in mind.


Our 'schoolscape
'





Step 3: Discussing step 2 and editing photos


  • Download/ upload your photos to 3 or 4 places: Art General/my documents and Google Drive and Picasa Web ALbums. 
  • Step A: When uploading your photos they should be set at a 150 Resolution or the file size is too big. This means that you should probably set your batch resize setting on no larger than 600 pixels for width and length. link to a tutorial Mrs Moore found on batch resizing photos  
  • Step B: Just a heads up sometimes photoshop will not open Art General folders so you my need to save photos in my documents. This means that you can only access them on one computer in the art room. See your teacher if you are stuck.
  • Step C: Upload the resized images to your Google Drive
  • Step D: Upload resized images to Picasa Web Albums or Google plus Link to Picasa Web Albums
  • You may need to use Photoshop (on the desktop PCs) or Pixlr Editor (for online netbook work), to edit your photos and improve the composition. To edit on Pixlr Editor you need to create a web album on Picasa or Google plus. You then open your images from Library in Pixlr editor.
  • For convenience link pixlr to your google account. link to Pixlr
  • REFLECTION: Write about how you have applied the AYV compositional tips to your images.
  • Remember to use screenshots to record each editing process. (to create a screenshot press the “Print screen button” (PrntScr) and then click on paste in a powerpoint on Google drive or Microsoft Office. You can also use screen grabs or snag it. see your teacher for accessing this function on your smart phone (iphones, ipads and samsungs use a combination of the home and lock button to create a screen shot).
  • Sometimes Google docs do not paste screen shots quickly, so it is easier to download an app called Snagit (click here for Link to Techsmith Snagit) . This app automatically uploads your screen shots to a folder in your google drive. Just check that both the extension and App is linked to your google drive and that you have downloaded chrome as your browser. link to Chrome extension for Techsmith Snagit

Step 3: Research Illusions of Space




Step 4: Process Drawings and experimentation




Step 5: Creating Figures for your drawing


  • Use the tracing paper provided to create small figures (or one figure?) that fit into your schoolscape. The idea is to focus on  perceived ideas of some people being in power, and others not. You may use exaggerations and distortions to create these situations. They don't have to match the scale of the 'schoolscape'. e.g huge head looming over the top of the stairs?
  • Make use of your pencil & eraser to make these figures, and use the 'mannikin' method that you will be shown.
  • Tutorial ..... Mannikin tutorial


Below is link on various poses for people.








Frolic 1 Amy Jo Windt



  

Shaft, 1987 by Sam Nhlengethwa  image from : http://paxlupo.com/2010/12/23/reeducation-unreconstructed/
Helen Sebidi
Mother Africa 1988
Pastel and collage on paper
162 x 128 cm

Wangechi Mutu





Step 6: Digital Collage Experiment and Adding Figures to your drawing
  • Scan your drawings of figures and ladscapes at 150ppi, and save it in your Art General Folder as a .jpg or upload it to Google Drive.
  • Put your figures into your schoolscape to express your intention. You can use EITHER a physical collage method or a digital 'cut & paste' method.
Step 7: Reflect on experiments
  • Use small chunks of paper(i.e. Post its) to reflect on the various artworks you have produced and processes you have undertaken.
  • Assemble your notes and samples onto A3 pieces of card or scan in your work and create a digital sourcebook.


Step 8: Concept development Part 2: FInal Intention
Create an image of your final composition that you will be using for LO2.  Write about why you have chosen this particular arrangement and environment. Look at the requirements for LO2 and make sure that your idea allows you to score well on this rubric.
Add this to your sourcebook by creating an A3 poster or digital link.


Step 9: Presentation and Self- Evaluation
Add your headings and content page to your sourcebook and bind it into book format.  
Click on the following link to assess your sourcebook. Make sure you have covered all aspects of the project.


SUMMARY - your goals for your sourcebook
You are looking at AT LEAST 6 x A3 pages or the equivalent.
You MUST work in class; at home; in Open Studio - before the deadline.



  1. Illustrated mindmap
  2. Rough storyboard and annotated photos of the school, with screenshots of photographic editing processes
  3. Annotated drawing showing use of space (A4 or A3)
  4. Tracing paper/collage/drawn figures and spatial experiments with collage
  5. Final 'mini' composition for LO2 - your intention
  6. Presentation and evaluation before hand in
Step 10:  Hand your completed sourcebook in to your teacher or email/ share the link to your digital sourcebook. Make sure your teacher has received your work.


You may now begin collecting the materials for LO2. Make sure you take into consideration any feedback or comments your teacher has made on LO1.  




2014 T1: Grade 12: Personal Geographies Inspiration

Here Some Examples of Artworks and exhibitions that link with the theme Personal Geographies:

Exhibition: 9 LINOCUTS  December 2010/January 2011  iArt Gallery, 71 Loop Street

http://www.iart.co.za/all-images-archive/9-linocuts/

Thumbnail for 9 LINOCUTS

Colbert Mashile

Mma waka Montedi
2010
Linocut
210 x 105cm
Edition size: 10




Philemon Hlungwani

Xilo xi n wana ni n wana xi ni nkoka eka nw winyi wa xona
2010
Linocut
210 x 105cm
Edition size: 10

Sandile Goje

Bitter Sweet Journey of South Africa
2010
Linocut
210 x 105cm
Edition size: 10

 This group exhibition explores various artists experiences of being human.


Fleshly Expectations and the Politics of Extremes
Artist: Sandra Hanekom
Price: R17,200.00
Medium: Oil on acid-free paint board
Size: 665mm x 565mm (framed)
---------------------------

- I love the way the women great personal maps and drawings of their life experiences.



Also Angela Buckland's Photographs are hauntingly beautiful.
Room 18: Mabhengu from Mbumbulu, cushion maker. Resident 18 yrs
Artist: Angela Buckland
Medium: Photograph
______________



Stroebel is one of KZN's leading artists and his ceramic and embroidery work has been critically acclaimed. Stroebel's love affair with the rich culture of the near East has lead him to a fifteen year adventure with travels to Egypt, Iran, Jordan, Turkey and Uzbekistan.
Star and Crescent
Artist: Hendrik Stroebel
Year: 2011
Medium: Embroidery with wood frame
Size: 169 x 129cm


Parure
Artist: Hendrik Stroebel
Year: 2012
Medium: Ceramic and embroidery
Size: 92 c 65cm


2014 T1 Grade 12 Theme: Personal Geographies Rubrics


Installation view of Head On at the Gallery of Modern Art, Brisbane, 2013
Artist: Cai Guo-Qiang Exhibition: Falling Back to Earth 
http://www.caiguoqiang.com/artists-bio

Dear Grade 12's your theme for Term 1 2014 is Personal Geographies. 

click here for your set project brief

Some Definitions to Help you Begin:

"ge·og·ra·phy  (j-gr-f)
n. pl. ge·og·ra·phies
1. The study of the earth and its features and of the distribution of life on the earth, including human life and the effects of human activity."

The American Heritage® Dictionary of the English Language, Fourth Edition copyright ©2000 by Houghton Mifflin Company. Updated in 2009. Published by Houghton Mifflin Company. All rights reserved.




Below are you rubrics- it is important that your sourcebook evaluates an idea that will allow you to do well in your final art piece.

SECTION A: SOURCEBOOK/WORKBOOK/JOURNAL (LO1)

CRITERIA

  • Concept development 10 (e.g mindmap, intention)
  • Research, investigation, experimentation, et cetera 15  (e.g inspiration artist, experiments, tutorials, photographs)
  • Process drawings 15  (e.g thumbnails, illustrations, concept drawing)
  • Presentation and overall view 10  (i.e time management, binding, aesthetics)
  • TOTAL 50

SECTION B: THE ARTWORK (LO2)

CRITERIA

  • Choice and use of materials/techniques 10 (this is on-going while you work)
  • Use of formal art elements 10 (this is on-going while you work)
  • Overall impression of work – originality, creativity, innovation 10 (this comes together towards the end)
  • Interpretation and practical implementation of research 10 (this is on-going while you work)
  • Completion and presentation of artwork 10 (this comes together at the end)
  • TOTAL 50