Showing posts with label Artists inspired by African Art Forms. Show all posts
Showing posts with label Artists inspired by African Art Forms. Show all posts

Wednesday, 26 March 2014

Grade 12 2014 Term 1 Test Feedback: African South Artists Inspired by African Art Forms

Grade 12 2014 Term 1 Test Feedback: African South Artists Inspired by African Art Forms


 Sleeping by Andries Botha 1985

Question 1.1 required you to identify and explain the meaning of various elements and principles in Andries Botha’s sculpture.  To score full marks you needed to explain what the various elements and principles in the artwork could mean.

For example: The vertical lines of the wattle create the mood of a cage or raised platform. The height of the sticks creates a sense of the figure being important or that the figure is afraid and sleeps on a raised platform to protect oneself. The golden colour of the figure could represent a sunset or royalty and Botha’s use of natural browns creates a sense that the figure is one with the environment.  The concept of a sunset could link to the ending of one’s life and how the title sleeping could represent death.  The texture of the grass looks smooth and soft and reinforces the idea of a soft mattress or the softness of a relaxed figure. The  form of the sculpture is based on Botha’s body proportions, thus one gets the sense that the figure is alive/human and one could have a conversation with the figure as it exists in actual space. Triangular shape extending from the figure could represent the rise and fall of one’s breath or a protective covering placed over the form. 

Question 1.2:
You needed to identify various visual clues that created different emotions for the viewers.

For example, the natural colours and lightness of the grass creates a sense of peacefulness and calm.  The horizontal lines emphasis the sense of peace and rest, yet the contrast of the dark wattle poles creates a sense of tension and anxiety, as they could represent a cage or prison.  The Figure is on a raised platform and this reminds us of how various cultures honour the dead by placing them on platforms and covering them in a mummy type shroud.  The use of grass and sticks could represent how cultures light bodies and this creates a mood of mourning and sadness.  The golden colour could also represent celebrating someone’s life.  Botha has used traditional South African techniques and materials and this creates a sense of pride in one’s country.

Please note a sculpture is an art object and a basket is applied art or a functional craft object.  Therefore Botha is the sculptor and we asked you to write about his Sleeping sculpture.  The picture of Reuben Ndwandwe was a clue on which local techniques inspired Botha.



Monday, 10 March 2014

2014: Grade 12VA Art Theory: Mapungubwe




link to Mrs Moore's post on Mapungubwe


Link to Mapungubwe Printout Version of Mrs Moore's inforgraphic

Mapungubwe visitor centre opens
Authentically part of the landscape: the Mapungubwe Interpretation Centre (Photo: Peter Rich Architects)
Read more: http://www.southafrica.info/about/history/mapungubwe.htm#.Ux13jz-Szng#ixzz2vXwse2LQ


For more information on the National Park you can read the article below.  Remember that our focus is on the African influences in the Architectural designs.

" What is so fascinating about Mapungubwe is that it is testimony to the existence of an African civilisation that flourished before colonisation. According to Professor Thomas Huffman of the archaeology department at the University of the Witwatersrand, Mapungubwe represents "the most complex society in southern Africa and is the root of the origins of Zimbabwean culture"."

Read more: http://www.southafrica.info/about/history/mapungubwe.htm#.Ux13jz-Szng#ixzz2vXx7Hyat


Link to SA history article on Mapungubwe

"The Mapungubwe Interpretation Centre : The Centre which is built near the main gate of the Mapungubwe National Park won the building of the year competition in 2009 and is home to the famous Golden Rhino. The Centre provides both day and over-night visitors the opportunity of a tour, showcasing the amazing landscape that the National Park has to offer.
Joining Nations: The Iron Age civilization of Mapungubwe was not limited by the Limpopo river and animals have always been able to wander around in the area of present-day South Africa, Botswana and Zimbabwe. This is why South Africa signed a memorandum of understanding with Botswana and Zimbabwe on June 22nd setting out principles for the Limpopo-Shashe Transfrontier Conservation Area (TFCA)."- read more at http://www.sanparks.co.za/parks/mapungubwe/


Thursday, 6 March 2014

2014:Grade 12 Theory Sfiso Ka-Mkame Drawings


Below are some examples of the Grade 12's drawings based on their theory artwork and the sgrafito technique.

Artworks below by (left to right, top to bottom): Shiyaam Layloo, Kayla Campkin, Nitashe Pierce, Lindo Mfeka, Chelsee Davids and Stacey Petzer.

Artworks below by (left to right. top to bottom): Kelsey Goosen, Lindo Mfeka (repeat) and Lauren Coetzee 

Below are Tamlyn and Tivana's drawings:

Below from Left to right: Edgar the vicious by Nikayle Govender,  and stunning figures by Carmen Coetzee and Bongeka Khuzwayo

Drawings  by (from left to right): Kendal Smith and Shriya Bhimjee





Sfiso Ka-Mkame: Ancestral Spirits